by Lauren Staten—Every year, The Meacham Writers Workshop brings a weekend full of reading and critiquing to Chattanooga and some of its finest writers. Whether your work is in the midst of others, waiting for you to nervously clutch the paper and read it for the eager listeners, or whether you are in the body of those eager listeners, The Meacham Workshop is always rewarding. In the past, guests such as Ralph Burns, Ted Howard, and even Tim O’ Brien have been among those in the crowd as well as those who read their work. This year, Rebecca Makkai, the successful Chicago-based short story writer released her debut novel, and made a debut appearance at the Meacham Writer’s Workshop.
Makkai’s first book, The Borrower, was published in May, and those who attended the workshop in Chattanooga this weekend were granted the priveledge to hear her read several excerpts from this piece. Makkai also held conferences with students and guests, sharing advice and personal experience to writers of all levels. Many who met with her said Makkai gave extremely helpful information that was a fresh breath compared to what they knew and usually hear. Her approach is very different from most, which called for quite the publicity at the workshop this weekend. Her name has been repeated around campus and among those who prepared the events of the weekend, praising her work and anticipating reading more of her work.
Meacham Writers Workshop has met many great writers, published writers, as well as not-yet-published writers. It encourages practical steps and revision techniques for a writer to reach their potential, and allows the writers to get fresh and new opinions from other writers, including writers like Makkai. It is always gratifying to hear an author read his or her work aloud, as it captures the full affect of their work, and magnifies its’ beauty. For Makkai, awareness was raised on her debut novel, and for her as a writer. For Meacham-goers, Makkai breathed her wisdom and experience into their work, giving those of us whom are nervously clutching our paper in fear of reading it to the eager listeners, a final push to just go for it. After all, the worst circumstance would be that some great writer such as Ralph Burns, Ted Howard, Tim O’Brien, or Rebecca Makkai are lurking in the body of listeners. And really, how bad is that?